This intriguing documentary is now scheduled for next Tuesday (12 Feb) at 9pm on BBC4.
Dark Son: The Hunt for a Serial Killer is a 90-minute look into one of the most appalling and unsolved serial killer cases in British history.
In 1964-65 a kerb-crawler murdered six women in west London. He left their naked bodies in the River Thames or various outdoor secluded spots. Scotland Yard mounted its biggest ever manhunt but could uncover no strong suspects.
The killer stopped his murder campaign in February 1965. The public and media largely forgot the crimes.
As described elsewhere on this blog, the producers at Monster Films have pulled together a team of experts to reinvestigate the case. Child murderer Harold Jones is the prime suspect the police overlooked, the film argues.
John Cooper was a man with a powerful streak of badness in him. A bully, a psychopath and a vicious killer, he terrorised an area of Pembrokeshire for two decades.
He is the subject of a forthcoming episode of CBS Reality’s Murder by the Sea (Tuesday, 29 January, 10pm). As a contributor to the series, I must say Cooper made the biggest impression on me for the heartless, chilling nature of his crimes.
He was jailed for 30 counts of burglary in 1998. By this time, however, he had also committed two double murders.
Joseph Wambaugh, former LA cop, has had an interesting writing career, spanning fiction and non-fiction. I’ve read several of his books and just finished this true-crime title from 1973.
It recounts events from 1963 when two LAPD officers stopped a pair of small-time but dangerous characters. Greg Powell and Jimmy Lee Smith pulled a gun and took the policemen, Ian Campbell and Karl Hettinger, hostage.
The officers were ordered to drive to an onion field near Bakersfield. Campbell was executed but Hettinger managed to escape. My initial feeling when I started reading was not good. The book is written in the style of Truman Capote’s a ‘non-fiction novel’ In Cold Blood. This style and Capote’s reliability as narrator have since been questioned.
So, in The Onion Field we get the participants’ thoughts and dialogue from throughout their lives, which clearly no author can know. My reaction was that this must be a novel, but the spine said non-fiction.
Professor David Wilson and former senior detective Jackie Malton uncover new facts about the unsolved Hammersmith Nude Murders from the 1960s
Dark Son: The Hunt for a Serial Killer is now available to view on BBC iPlayer.
I have been talking about this documentary for a while now. It was almost a year ago that I got involved with filming some sequences for this re-examination of the unsolved Hammersmith Nude Murders.
My involvement was sought because of findings in my book The Hunt for the 60s Ripper. This employed some modern policing theories to understand why Scotland Yard’s biggest ever manhunt failed to unmask the killer of six women in London in 1964-65.
I consulted Dr Kim Rossmo, one of the world’s leading geographic profilers. He produced an analysis and map for my book that revealed two areas of west London where the killer was probably based.
Harold Jones lived in the middle of the murder area
It is this data that is used in Dark Son. One of the problems the original investigation had was that it was thinly spread over 24 square miles of London.
The geo-profile would have allowed detectives to focus resources on two hotspots around Hammersmith and Notting Hill. Had they done so they would have crossed paths with Harry Stevens.
Harold Jones was released from prison in 1941
This man, living in Aldensley Road, Hammersmith, never featured in the original investigation. As Dark Son explains brilliantly, Stevens was actually Harold Jones, a murderer of two children in his youth in 1921.
Here’s the trailer for the documentary I’ve been talking about for several months. Dark Son will go out on BBC Wales on 12 January and on BBC4 on 22 January.
The revelations will be ‘astonishing’, according to Professor David Wilson, the leading criminologist who presents the film.
BBC trailer for Dark Son
It is remarkable that since I wrote The Hunt for the 60s’ Ripper in 2017 this film has been made exploring fresh angles.
Leading criminologists, former detectives, a genealogist and writers have come together to re-investigate this unsolved, grotesque series of crimes. I was delighted to be asked to take part.
Who murdered six women and left their naked bodies in public places in the Swinging London of 1964-65? This was a huge police hunt and media story that eventually faded from the headlines.
Dark Son should refocus everyone’s attention on this mystery – not least that of the Met. A major theme of the film will look at child murderer Harold Jones.
As a 15-year-old he murdered two little girls in 1921. He served 20 years in jail.
However, detectives investigating the Nude Murders were never aware of the fact that he was living amid the crimes in Hammersmith during this time.
What would Scotland Yard’s detectives have discovered about him if they had known he was there?
This new series about how police question suspected killers begins on CBS Reality on Thursday 3 January.
I am a contributor to it and had to do a lot of research on the six cases included. Watching or listening to lengthy questioning sessions was tedious at times. Unlike TV dramas, there usually isn’t much drama.
At the same time it requires patience for those vital moments when a callous killer may give themselves away.
They vary considerably here, from chilling psychopath Israel Keyes in the US to UK killers Nathan Matthews and Shauna Hoare, who killed teen Becky Watts. The latter tragic case starts the series.
Some of the killers are hard to pin down because they are psychopaths who lie easily and feel no guilt. Others are stupid and incompetent, and soon outfoxed by detectives.
The series, presented by Professor David Wilson, gives rare insights into the reality of all types of homicide and the challenges facing police. But be warned – the cases are generally sad and chilling.
Thanks goodness deference to authority largely gets the middle finger today.
This means we can give short shrift to claptrap like this: ‘Sadistic crime is probably more rare in England than in any other country in the world. Curiously enough, even the few known exponents in our English records are apt to bear an alien name.’
So, just to be clear – sadism is a vice of foreign blighters. The English do not stoop to such shameful behaviour.
This view, voiced in 1941, was not that of some loudmouth in a pub after one too many. It was the opinion of the Commissioner of Prisons, Alexander Paterson.
Sadism and cruelty
The problem he faced was what to do with Harold Jones, who had been convicted of murdering two little girls when he was 15. In 1941 Jones had served 20 years, considered a ‘life’ term at the time.
During his incarceration, the consensus had been that Jones was a sadist who showed no remorse. Senior medical officer W Norwood East reported that for Jones ‘the sexual act reaches its highest gratification when accompanied by cruelty’.
In 1936 the governor of Maidstone prison, B Grew, was damning, ‘Sad as it may seem I can see no hopeful prospects for Jones in the future.’
But by 1941 Paterson was effectively muddying the waters. The medical profession really knows little about sadism, he suggested.
Last Tuesday saw the conclusion of evidence being presented and filmed for Dark Son, the forthcoming BBC documentary about 1960s serial killer Jack the Stripper.
It a was a big day’s filming: for me 12 hours long, but for the Monster Films’ team much longer.
I was interviewed in the morning and was later on hand for a long session of afternoon-evening filming. Fascinating research from contributors, former police officers and others was explored.
It was a brilliant day. It was also a treat to be again working alongside criminologist Prof David Wilson and ex-detective Jackie Malton. David Howard (director) and Rik Hall (producer) from Monster ran the production calmly and superbly.
The venue was the Ebenezer Baptist Church Centre in Abertillery, Wales. The significance of the setting will become clear when the film is aired.
It has been in production throughout this year. I was initially involved for a chilly day’s filming in February on the Thames (two victims were found on the river foreshore).
From magazine feature to book to TV
I could not imagine how all this would unfold when I signed a contract to write The Hunt for the 60s’ Ripper in October 2016 (Mirror Books). The idea grew out of a feature I proposed for a true-crime magazine that Mirror Syndication were developing.
My argument was that the case – and victims – were largely forgotten today and it should be reviewed and remembered.
The magazine was eventually shelved, but I was able to develop the research I had for the article into a book. Following its publication, my research sparked further new findings about the unsolved 1960s murders of six women in west London.
The documentary team assembled high-quality experts to delve further into the case. I can’t talk about the film’s content, but anyone who thinks they know everything there is to know about the case should think again.
Andrew Crofts and Mark McCrum spoke entertainingly about their specialism, ghostwriting, at a Society of Authors talk in Piccadilly last week.
They have written a huge variety of autobiographies and memoirs on behalf of people with stories to tell, from pop stars to soldiers to adventurers to victims of abuse. Though it sounds like a job that can be fascinating and occasionally well rewarded, it seems the gold-rush days are over.
Not so long ago, for penning Robbie Williams’ life story you could have got £200,000 up front and royalties that started at £100,000. However, in today’s shrivelled publishing landscape, huge advances and generous royalties are rare.
The two writers also outlined the frustrations of the work. Subjects who decided they don’t like your writing, celebrity egos and the ‘beauty contests’. This is where several writers are paraded before a celeb, who then picks whoever he/she finds least offensive.
Sean Connery and Robbie Williams
However, the upside is that the work can be fascinating. Travelling the world meeting extraordinary people with remarkable experiences to relate clearly beats most office jobs.
Not all the subjects are laudable. Crofts, whose manual on ghostwriting is quoted in Robert Harris’s thriller The Ghost, talked about various dictators and criminals he has ghosted for.
His advice on this is straightforward. You don’t have to like or admire the person. If they interest you, take the work. If not, walk away. (more…)
These are the words of Professor Brian J Ford during BBC4’s Murder in Soho: Who Killed Freddie Mills? And the death of Britain’s former boxing hero has certainly attracted rumour, legend and some wacky theories since his apparent suicide in 1965.
I was pleased that this documentary took a fairly sober approach to the case. It is far better than the recent irritating and overlong Ruth Ellis Files on BBC4.
It did not focus much on the outlandish claim that Freddie Mills was the serial killer known as Jack the Stripper or the Hammersmith Nude Killer. However, it does make space for author Michael Litchfield, whose book on the case made such assertions. These are unfounded, as far as I am concerned. Author and former police officer Dick Kirby says succinctly the idea is ‘ludicrous’ during the programme.
Mills: suicide or murder?
The film does make a convincing case that Mills probably did not shoot himself in the eye – a very rare method for a person to use when committing suicide.
Various theories are explored to support the idea that Mills was the victim of criminals. The boxing world and West End nightclub land where Mills was a part-owner of a night spot were heavily linked to the underworld.
Does the programme clear up the puzzle once and for all? I don’t think it makes a conclusive case. But it is a fascinating portrait of a much-loved personality – perhaps Britain’s first celebrity and the David Beckham of his time – who seems to have crossed paths with the wrong people.
